As you probably know, I take a lot of classes. They’re a great way to try new techniques and see what I like and what doesn’t work for me, and exploring new ways of doing often catapults me off in a whole new direction with my art.
I recently was invited to join a mixed media altered book group. I had no experience in altered books but I love mixed media so I was willing to give it a whirl! I have to say, I had placed myself firmly outside my comfort zone, and it proved to be really valuable.
As some background, each member creates a book on a subject that they have picked and they complete the first few pages of their art book in their own style. We each write a page of instructions to let the other members know what we are looking for from them, and also to let them know of anything we don’t want done in our book. Every month we all rotate books, so by the end of the year, everyone has a full book containing original artwork from the entire group. This is a big commitment, and once you sign up it is important to follow through until the end of the year, as the books are passed in a round-robin, and it would be unfair to not complete every ones pages.
For my book, I gave few guidelines. I wanted people to just have fun with it, and so long as it connected in some way to the subject of 1950’s Housewives in the Kitchen, the art had no restrictions. I was curious what people would create, and delighted by the book that came back to me. People approached this very differently, and some people’s books came with many guidelines. It was intended to be a challenge, to try and stretch ourselves creatively while emphasizing how differently the artwork manifests from person to person even when following the same guidelines, but I found myself apprehensive. When it was my turn to take home a book with a very detailed set of guidelines, I couldn’t help but see them as rules, and I balked. I put it off, as though it were a homework assignment and I was a student who had avoided studying. Eventually, the day to exchange the journals was coming fast up on the horizon and I had no choice but to sit down and commit to it.
When I did, something interesting happened. I felt the spark of inspiration. By putting these guidelines in place, and restricting the subject matter to a specific time and place, the book’s creator was asking me to think about what appealed to me, what jumped out at me, what stuck with me from this time? And a strange thing happened, once I gave it a chance: I realized that actually, there were a number of things I was passionate about that fit within the guidelines already. I had never done art involving these figures, never explored their history or their origins through a creative lens. I read about them, often, but I had never incorporated them into my art. So that is what I did, and after spending several days working hard on the pages they came out beautifully. I was proud of them, I loved them, and I would never have thought to make them at all if I hadn’t been pushed like this in the first place. My fears were unwarranted, in the end, and the book’s creator actually enjoys the same stories I do, and so we had a lovely conversation about these women from history and what they meant to us. I had been so caught up in whether the pages I made would be ‘right’ somehow that I very nearly missed the purpose of the challenge.
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